Friday, June 19, 2015

KHADI BIRHA in Mtv@Coke Studio Season 4

It was a nifty Rajasthani folk fusion track that introduced us to a tall Assamese girl in a multi-coloured dress Kalpana Patowary, stood next to East India Company vocalist, Papon, and belted out Baisara Beera, a track with elements of Rajasthani maand with Assam’s Barpeta Holi that turned into a dance jam with its heady beats and harmonium interludes.

Unshackled by genres, Patowary’s high-pitched, raw and confident voice had the “urban” audiences swaying to the groovy hook and hit Coke Studio @ MTV’s YouTube video over a million times.

She is back, this time even BIGGER with for the first time in the history of music, she features Bhojpuri Khadi Birah, a folk for of the Ahirs, Uttar Pradesh in the much talked about Mtv@Coke Studio Season 4 with Dhruv Ghanekar as the Composer.

Dhruv is the co-founder of the path breaking Blue Frog - a State of the Art Live Performance Venue, Recording Studios, Label, Music Production, a Composer, Producer and highly respected Guitar player based in Mumbai, India.

Kalpana Patowary is currently the “reigning queen of the Bhojpuri music industry” and her decade-old body of work is marked with versatility. She is one of the few stalwarts who have popularized Bhojpuri folk music in a contemporary style that wows audiences everywhere. “Among Bhojpuri speakers, she is a rage. Her collaboration with Mika Singh on the chart-topper Gandi Baat from Prabhudheva’s otherwise dud R…Rajkumar (2013) has already put her on the music map in Bollywood.

She got International acclaim with the release of her Bhojpuri musical documentation on the Shakespeare of Bhojpuri Literature – The Legacy of Bhikhari Thakur from EMIVirgin Records and Massical from BIRDjam Label Germany with world class India’s virtuoso percussionist and bandleader  Trilok Gurtu, one of the most dynamic and prolific musicians and collaborated with international unique musicians like  Carlo Cantini, Jan Garbarek, Phil Drummy, Roland Cabezas, Stefano Dall’Ora.

           

She has performed and recorded with some of the biggest names in music in India and on the International arena with Trilok Gurtu, Guru Reben Masangva, Louis Banks, Ranjit Barot, Pritam to name a few...
    
Lately she was on a 15 days tour for concerts in four Latin American countries presented by The Ministry of Cultural Affairs on the auspicious occasion of Indian Arrival Day, commemorating the arrival of Girmitias from the Indian subcontinent to  Caribbean and the island nation of Mauritius presenting songs on migration.

Mtv@CokeStudio Season 4...it’s still on…the HANGOVER……ek MA apne bachhe ko, safalta ki bulandiyo ko chhuta hua dekh jaisa mahsus karti hai.....the emotions rolling deep inside me are the same....BHOJPURI hamari astitwa hai and in CokeStudi@Mtv Season 4, it was as if BHOJPURI was proud to announce its dignity….Says Kalpana.

Taking Bhojpuri music to the helm of one of the biggest music shows in the world for the first time in MTV comes with its share of responsibilities.

              

I met Dhruv Ghanekar in Blue Frog when I was performing with Trilok Gurtu. After then his solo album “Voyage” was happening and Dhruv asked me to write and sing something in African groove. I wrote for the first time. Baare Baare was the track weaving a rich tapestry of Assamese folk and traditional grooves from the Maghreb region of North Africa. The idea to fuse the two began as conversations in his head, he shares. “If I were to explain it to someone, they’d say, there’s no synergy between the two cultures. But when you hear it, it makes perfect sense,” says Kalpana.



After then, when Dhruv met up for Coke Studio, I was happy as I knew it’s time for some extinct folk to come up where it should come. There is an unseen gap between my own lands. – My people. The gap between India and Bharatvarsh.  In a way Mtv@Coke Studio musically tries to bridge that gap. This time I thought of giving Biraha a folk form of the Ahir clan. Its singing and saying – boli at the same time. Lyrically Khadi Birah also spoke about the expressions of our cultivations, our village folk.

Dhruv beautifully designed the rhythm which complimented the lyrics of Khadi Biraha. It became mere of global now as if Indian and African both speaking about the pain and pleasure of farming. Dhruv and I were thinking to put some African plantation folk music in the track. But as we were short of time we changed our idea and instead think of putting some English words in it.          

I shared my knowledge about the indenture laborers of plantation and the pain they went through when they migrated from Indian shores to the Carribeans.

So we decided to write some verses keeping in mind the indenture laborers point and what he’ll speak.

Dhruv wrote some beautiful lines and then Sonia Saigal came into the scene to give the English lyrics a bold vocal throw.

This track KHADI BIRHA is a folk for of the Ahirs fusing with African music. This folk tradition is a fun song, reflects the Migration content and evolved during the colonial period when a huge population of Bhojpuri people left Indian shores to work in sugarcane, cocoa, jute and other plantations in Caribbean countries, owned and run by Europeans.

Khadi Birha is actually a very positive song. It’s one of those great ironies of life because the people who actually worked the hardest are the most positive people…it’s a working man’s song.

Basically, this track would help understand how folk culture helps migrants to recover from the pain and loss on leaving their homelands,"

In Mtv@Coke Studio you can say transnational Biraha : Bhojpuri Folk from North India to the Caribbean, Fiji, and Beyond…

This track Khadi Birha forges the way forward for the culture from which the Caribbean countries diaspora traditions find their origin.

Says Kalpana GRATITUDE!!



'Birha' - traditional folk of Utter Pradesh.

                   


Utter Pradesh ke ek varg visesh dwara gaya jane vala lok sangeet Biraha hamesha se hi hindi patti samaj ke vibhinn vargo me lokpriya rha hai ..

Utter Pradesh me is vidha par abhi tak na keval Yadav samaj ka ekadhikar rha hai, balki is par hamesha se hi purush kanth ka adhipataya bhi rha hai..


kaha jata hai yadi deevare nahi girati to samya aur kal ki pragati ruk jati hai….kya ekadhikarvadi deevar ke beech jakda yeh mashoor lok gayan apni pragati ki sahi manjil tak abhi pahunch paya hai??

yeh ek saval hai jise hum un sabhi longon ko karna chahiye jo apni mati aur apne lok sangeet se pyar karte hain... Assam ki dharti se aakar hindi patti ke tamam dilo par raj karane vali mashoor singar Kalpana Patowary ka “Biraha” MTV@CokeStudio Season 4……pragati ke band pade rasto ke beech ek aisa hi krantikari kadam hai jo ekadhikarvadi deevaro ko dhahate hue behad sadhe hue nari swar ke sath biraha lok gayan ko ek nai unchai tak pahuchane ki ek safal koshish hai..

vartman yug me janha badalte vaqt ke sath birha lokgayan ke chand- anuprash itayadi lagatar gayab hote ja rahe hain vanha Kalpana Patowary dwara is mamle me puri mehnat v sodh ke sath khadi birha ko apne sadhe hue kanth se MTV@CokeStudio Season 4 ke madhayam se internatinol star tak pahuchane ki koshish karna khud me na kewal sarahneeya prayas hai balki is lokgayan ke liye meel ke patthar ke roop me sthapit hote hue bhavishya ke liye ek sukhad sanket de rha hai.....



@tradishivendra prakash dwivedi..